Yep. Each copyright holder can block his video.
(Queen provides a lot of their videos in their own channel.)
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You found it but it’s missing the 5-seconds before that I was quoting.
I also love on the Live CD version of that song he opens with “This shitty guitar never plays the chords I want it to play!”
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Here we go:
Full concert:
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And of course your videos are blocked in my country… 
damn you copyrights!
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Just search on YouTube for the concert. There are several versions. 
(And I recommend to buy the DVD - you can even switch the camera angles with your remote control.)
I still have the VHS I bought in 1997.
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in 1984 they went in Italy.
I’ve found a very rare video of that event (just one minute, courtesy of RAI)
@yrface hope you can view it, too 
In the same year, my dad bought me my first Commodore 64. 
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Wow. This feature was widely advertised when DVDs came out. But I don’t remember any other DVD in which this function has been implemented.
Yep. And AFIAK it is the only DVD I own where this is possible. But I could imagine that other music, concert and especially recording of sport events have this feature too.
Deep Purple´s California Jam 1974 has that feature, too. So you can see Ritchie Blackmore bash on the camera with this guitar from different angles. 
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But it’s interesting to see that all these concerts are older recordings. I would have guessed that mostly newer concerts were shot in different angles …
Oh yeah, I saw that one Dream Theater DVD has the feature of looking at each band member individually during one tune.
And it´s kind of hilarious because it´s an instrumental so if you choose James LaBrie you just see him standing there watching his bandmates play for 15 minutes. 
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Both California Jam 74 and Wembley 86 were shot with TV cameras. So there are always cameras on or near or above stage filming all the time and whoever does the final cut has to choose which angles to use.
So if still all the footage from all the cameras exists you can put it on the DVD.
Yes, but especially if a TV station filmed a concert it was common to “cut” it live and store only the aired version on tape. Or to archive only the master tape and reuse the other tapes. (And the professional TV cameras back then weren’t able to record the signal themselves).
With modern cameras it’s far more easy to record (and archive) stuff “for free”.
I guess it depends on the practise of the TV station and what they did with the footage. Though at least in the case of Wembley 86 I don´t know who originally broadcast it and when? It took 7 years for it to be released on home video (AND record) by the way.
Haven’t Queen produced a lot of such things themselves?
Yeah, most of Queens later day recordings are credited to Queen and Reinhold Mack (from the Munich studio they did most of their stuff - and I near visited - before moving on to Montreux.)
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And a lot of their videos were produced by “DoRo” AFAIR.
Yeah, that was for like the last two or three albums. But they worked with Dolezal a lot in general.
There is this famous (very funny )interview Rudi Dolezal did with him at the Musicland Studios in Munich in 1984:
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